Over decades, songs have acquired a musical grammar of its own in building an emotional chord with its listeners, both on and off the screen. From populist numbers to flashy entertainers, songs have outlived films in people’s memory. Each song holds a distinct complexion and aura in taking the cinematic narrative forward, which gave lyricists an opportunity to weave magic with words to articulate emotions in simple, accessible verses. Yet, their immense contribution to Hindi cinema has not got its due, lost to overt recognition of music composers and singers.
Main Shayar Toh Nahin is a comprehensive attempt at restoring that disparity by revisiting the lives and works of those whose lyrics reigned supreme in conveying emotions of all hues, and thereby became part of the cultural fabric of the society. From the art and craft of song writing to structuring poetry into the film narrative, and from capturing depth and range of human emotions to pacing simple verses as musical interludes, the book delves into all that went into loading simple words on complex situations for creating a lasting impact. Such has been the contributions of leading lyricists, from Pradeep to Kaifi and from Majrooh to Gulzar, that film songs attained personal and social relevance beyond just pleasing the ear.
Without Sahir’s heart-rending Babul ki duaen leti jaa marriage ceremonies are rarely considered complete; Anand Bakshi’s reflections in Kuch to log kahenge help listeners overcome life’s tribulations; and Shailendra’s classic Sajan re jhoot mat bolo holds moral lessons. By playing with power of words lyricists could evoke multiple emotions to suit myriad situations on screen, converting life’s experiences into simple but relatable verses. Words are intelligently packed to lend meanings through music to create uplifting, inspirational, and soothing effects.
Filled with trivia and unheard anecdotes, Rajiv Vijayakar has pieced together a fascinating history of lyricists that reads like a who’s who of all those who have carried the rich tradition of weaving words into music to assert that ours is a land of lyrical expression of thoughts and emotions. Lyricists, unlike poets, face the challenge of reading the situation, the emotion, and the character on the screen in selecting verses that not only conform to the musical tune but appeal to the masses too. ‘The power play of words saw entire philosophies written using fluid, everyday language’, says the author. Indeevar’s Kasme vaade pyaar wafa and Gulzar’s Aane wala pal jaane wala hai continue to resonate till this day. What must not be lost to oversight is that while creating a rich and variegated collection of happy, sad, and romantic songs these lyricists had to strike a perfect balance between their creative instincts and the demanding ecosystem?
As the book traverses the musical journey of lyricists, it also seeks to explore why words and melody have a fleeting presence today. With commerce taking precedence over creativity, grammar, aesthetics, and the finesse of language has taken a beating. How else would any lyricist use the word haalaatein when haalat (circumstances) itself is a plural term! Curiously, the consequent sense of loss that music lovers feel is falling on deaf ears. Known for his impeccable reputation as a lyricist, late Raja Mehdi Ali Khan had long opined that lack of language proficiency and reading habit had brought the inevitable decline in the quality of lyrics. Rightly so, as a majority of today’s lyrics are mere assemblages of words, bereft of thoughts.
Far from being judgmental, entertainment journalist Rajiv Vijayakar draws the contours of change sweeping the world of film music, and the challenges that lie ahead. It is evident that in the predominant market culture, songs have become products with a short shelf life. ‘Songs are dying faster today because the importance of words has decreased’. Much of the onus rests on how the music industry recognizes and responds to the importance of words, and gives lyricists their due in reviving the culture of songs. For the music loving populace, however, songs promise more than mere entertainment as these push thoughts, impart lessons, discuss morality, and provide a psycho-therapeutic balm.
Main Shayar Toh Nahin is all that an avid music lover ever wanted to know about what went into creating a memorable song. It is a tribute to the genius of past lyricists, who made the audiences connect and identify with the words at the personal level. Such has been the impact and power of lyrics that a vast majority can effortlessly recall several such songs. Will the present-day lyricists uphold that rich tradition!
Main Shayar Toh Nahin
by Rajiv Vijayakar
HarperCollins, New Delhi
Extent: 347, Price: Rs 499.
First published in the Hindustan Times, issue dated March 30, 2019.
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