Nature, like mother, only generates musical lullaby. Ironically, we the mortals miss the lullaby for the words as we love noise and miss the embedded signal.
In her debut fiction, Kunjana Parashar creates a child’s imagery on nature that is fresh, insightful, reflective and persuasive. Syaahi, meaning ink, is a restless 9-year old girl chided as a slowpoke in class who, like most children, sticks a tongue out towards her uninteresting school building as she heads home for the vacations. Instead she finds solace in nature, amidst the garden trees and creepers, conversing with mute trees about all that she is unable to share with her grandma and the class teacher. In her little mind, trees are great listeners and respond through rustle of leaves or an occasional falling inflorescence. Much to her surprise, the old Rain Tree, under whose feet she had spent countless hours feeling the texture of its roots and bark, seeks to whisper that only she could hear and comprehend.
Lamenting a lack of interest among kids towards nature, the Rain Tree finds a discerning pupil in Syaahi, and exposes the strengths that her grandma and school teacher have not been able to discover. Erasing her of self-doubt, the rooted giant instills a sense of self-belief in the child. Reminding her to nurture good seeds of patience and care, the child is pumped up with irresistible energy to embark on a secret journey to make her vacations ‘green’.
Kunjana, an English literature graduate, has let her imagination take wings as Syaahi begins to sway on the long aerial roots of the friendly Banyan tree from one part of the city to other. Her worldly encounters on sowing the good seeds are short, but detailed and accurate. Such innocent indulging is the narrative that one finds being flung up high with the child, only to be reminded of the follies that have been collectively committed on the ground. Syaahi’s Green Summer is about appreciating simple pleasures, and generally easing up in a society that encourages materialism and competitiveness.
At this time when people are pulled in separate directions, often directionless to say the least, Syaahi fuels life into the ecosystem with her innocent charm. Showering compassion to birds and beasts, she gets their roaring, squeaking, barking and purring in return as if the garden was but a colorful Indian wedding. The notion of co-existence, of interdependence on each other is reflected as all creatures join the tiny doll in her affable greening initiative. There are hardly any dramatics, just plain narration that catalogues every moment in detail.
In her imagination, the author creates a character in tiny Syaahi who is observant of every little thing around her. No wonder, the garden is like her secret, private den and sanctuary. It is here that she will compose lullaby of musical sounds and musical whistles – no words. She believes that if you use words in a lullaby, you would wake up the one you are trying to put to sleep. I envy Kunjana for the effortless ease with which she conveys a profound message. Nature, like mother, only generates musical lullaby. Ironically, we the mortals miss the lullaby for the words. We love noise, but miss the embedded signal.
It is book about reconciliation, first with self and then with the surroundings. This could well be the most rudimentary takeaway from Syaahi’s Green Summer, but the central preoccupation in the book is about possibilities, and the conviction of turning simple dreams into transformative realities. This tiny gem of a book doesn’t preach but leaves a message that can inspire every discerning mind into creating his/her own set of actions. Without employing an expansive definition of ecological prudence, Kunjana nonetheless offers a simple but doable body of conscience choice with humane values.
Despite it being written from a child’s perspective, the book is a thoughtful tour in the garden that blows a layer of dust off from our clogged minds. Syaahi’s Green Summer is more for the teachers than children, a must read for evoking all round interest in understanding what we seemingly consider as given. Ignoring the disappearance of tiny sparrow from our daily lives, for instance, carries an ominous sign on our own existence. The author invites her readers to connect with her with cheeky comments and snarky witticisms. She deserves accolades!
Syaahi’s Green Summer
by Kunjana Parashar
APK Publishers, Pune
Extent: 84, Price: Rs 150
First published in monthly Civil Society magazine, issue dated April 2019.
In her debut fiction, Kunjana Parashar creates a child’s imagery on nature that is fresh, insightful, reflective and persuasive. Syaahi, meaning ink, is a restless 9-year old girl chided as a slowpoke in class who, like most children, sticks a tongue out towards her uninteresting school building as she heads home for the vacations. Instead she finds solace in nature, amidst the garden trees and creepers, conversing with mute trees about all that she is unable to share with her grandma and the class teacher. In her little mind, trees are great listeners and respond through rustle of leaves or an occasional falling inflorescence. Much to her surprise, the old Rain Tree, under whose feet she had spent countless hours feeling the texture of its roots and bark, seeks to whisper that only she could hear and comprehend.
Lamenting a lack of interest among kids towards nature, the Rain Tree finds a discerning pupil in Syaahi, and exposes the strengths that her grandma and school teacher have not been able to discover. Erasing her of self-doubt, the rooted giant instills a sense of self-belief in the child. Reminding her to nurture good seeds of patience and care, the child is pumped up with irresistible energy to embark on a secret journey to make her vacations ‘green’.
Kunjana, an English literature graduate, has let her imagination take wings as Syaahi begins to sway on the long aerial roots of the friendly Banyan tree from one part of the city to other. Her worldly encounters on sowing the good seeds are short, but detailed and accurate. Such innocent indulging is the narrative that one finds being flung up high with the child, only to be reminded of the follies that have been collectively committed on the ground. Syaahi’s Green Summer is about appreciating simple pleasures, and generally easing up in a society that encourages materialism and competitiveness.
At this time when people are pulled in separate directions, often directionless to say the least, Syaahi fuels life into the ecosystem with her innocent charm. Showering compassion to birds and beasts, she gets their roaring, squeaking, barking and purring in return as if the garden was but a colorful Indian wedding. The notion of co-existence, of interdependence on each other is reflected as all creatures join the tiny doll in her affable greening initiative. There are hardly any dramatics, just plain narration that catalogues every moment in detail.
In her imagination, the author creates a character in tiny Syaahi who is observant of every little thing around her. No wonder, the garden is like her secret, private den and sanctuary. It is here that she will compose lullaby of musical sounds and musical whistles – no words. She believes that if you use words in a lullaby, you would wake up the one you are trying to put to sleep. I envy Kunjana for the effortless ease with which she conveys a profound message. Nature, like mother, only generates musical lullaby. Ironically, we the mortals miss the lullaby for the words. We love noise, but miss the embedded signal.
It is book about reconciliation, first with self and then with the surroundings. This could well be the most rudimentary takeaway from Syaahi’s Green Summer, but the central preoccupation in the book is about possibilities, and the conviction of turning simple dreams into transformative realities. This tiny gem of a book doesn’t preach but leaves a message that can inspire every discerning mind into creating his/her own set of actions. Without employing an expansive definition of ecological prudence, Kunjana nonetheless offers a simple but doable body of conscience choice with humane values.
Despite it being written from a child’s perspective, the book is a thoughtful tour in the garden that blows a layer of dust off from our clogged minds. Syaahi’s Green Summer is more for the teachers than children, a must read for evoking all round interest in understanding what we seemingly consider as given. Ignoring the disappearance of tiny sparrow from our daily lives, for instance, carries an ominous sign on our own existence. The author invites her readers to connect with her with cheeky comments and snarky witticisms. She deserves accolades!
Syaahi’s Green Summer
by Kunjana Parashar
APK Publishers, Pune
Extent: 84, Price: Rs 150
First published in monthly Civil Society magazine, issue dated April 2019.
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