Flicking away all odds

The humble beginning of a committed cricketer who braved odds and inadequacies of life in attaining dizzy heights over the cricketing landscape.

Before the World Cup triumph in 1983, Indian cricket was saddled with the idea that ‘to draw a match was as good as a victory’. Every batsman occupying the crease had the solo objective of ensuring that the game was not lost. During those days, runs scored were incidental in the quest for staying longer at the crease. Gundappa Vishwanath lived in such times, ensuring that India never lost a cricket match in which he scored a century. Rare distinction for a cricketer known for the classic square cut, which made 5’2” diminutive batsman a giant in the game. In an international career spanning two decades with 91 test matches under his bat, Vishwanath had rubbed shoulders with all-time greats like Garfield Sobers, Ian Chappel, Vivian Richards and Tony Greig and had let his wristy batting do the talking against fearsome speedsters in Denis Lillee, Andy Roberts, Jeff Thomson and Joel Garner. 

Co-written with veteran sports journalist R Kaushik, Wrist Assured narrates the humble beginning of a committed cricketer who braved odds and inadequacies of life in attaining dizzy heights over the cricketing landscape. Vishwanath’s debut was momentous, his dismissal for zero in the first innings of the Green Park test against Australia in 1969 had earned the debutant the ire of the fans. Undeterred, he returned with a resolute 137 in the second innings to announce his arrival on the international circuit. The journey from zero to hero in a matter of few days became the catalyst for his smooth ride in international cricket. 

Vishwanath’s autobiography could not have been better titled – a recognition of the wristy square cut being his signature cricketing shot that helped in scoring 4,000 of his 6,080 test runs. The square cut may have fascinated viewers but it was a stroke born out of necessity. ‘A slight, thin boy with no power to speak of, used the pace of the ball to reach the boundary’. Batting for Vishwanath was more than just a power game, it was more about crafty finesse with exquisite control. ‘At that level, it is more about your mind than your skills’, asserts Vishwanath. With no bloated coaching and support infrastructure on offer, players during those days had to go by their basic instinct in making the most of the opportunity on offer. 

Wrist Assured makes for an absorbing reading, as it not only traces the cricketing journey of the little genius but offers great insights on the game itself. Much as the game might have changed in favor of its popular shorter version, it is all about honing one’s skills against the wares of the bowlers. Vishwanath has drawn extensive lessons from his batting experience on the most iconic cricketing venues in the world to conclude that one should be ready for change in thinking, attitude and mindset. In nutshell, be mindful of situations and conditions is the key message.    

In his playing days, not much was known about the making of the little genius. In Wrist Assured, it is all in the open – the tennis-ball experience in the dusty by-lanes, the magical touch on the iconic cricketing grounds around the world, the bonding with illustrious domestic and international stalwarts, and the role as an ICC referee and a national selector. Viswanath pays rich tributes to his mentor Tiger Pataudi. When Pataudi learnt that Vishwanath did not go to the gym, he gave him a tip ‘I’m sure you must have buckets at home? Fill up two buckets with water and lift one with each hand 20 times in a row. Do this three to four times a day, regularly.’ Lifting buckets strengthened his forearm and wrist, and the rest as they is history. 

It is a delight to read the sincere and honest reflections of a living legend. Credit to Kaushik for letting the feelings and emotions of the wristy genius get rich expressions that are laced with amusing anecdotes and innocent playfulness. That they didn’t slide on the ground to stop the ball during those days had more to do with their daily allowance and less for the risk of throwing oneself around. ‘With daily allowance of two pound sterling, a dive translated to a green patch on the trousers, and a spell in the washing machine. That also meant going without one, sometimes two meals’. This and much more, Wrist Assured is a sheer joy to read. 

If you’re a fan of the wristy genius, you must read the book. If you love the game of cricket, you better not avoid reading it. And, if you are neither of the two, you must read to learn how sincere efforts and honest commitment makes legends out of the ordinary. 

Wrist Assured: An Autobiography
by Gundappa Vishwanath with R Kaushik
Rupa, New Delhi 
Extent: 267, Price: Rs.595.

First published in Deccan Herald on May 22, 2022.

This is my third attempt at reviewing a book twice. And, I enjoy testing my abilities. 

One too many for the wrist

India never lost a cricket Test match in which Vishwanath had scored a century.

Four decades after he put away his bat, Gundappa Vishwanath goes down memory lane to relive and revive all that went into making him a wristy genius of the world cricket. What comes out is an absorbing Wrist Assured, a biography that is as smooth as the square cut that had mesmerized a generation of cricket lovers. Following on his first-innings zero with a resolute 137 in the second innings on his debut against Australia at the Green Park at Kanpur in 1969, Vishwanath had touched the lowest of depths and experienced the highest of peaks in his first outing in international test cricket. Those four days of anxiety and ecstasy had proved path-charting for the little genius, whose classic square cut had helped him notch majority of his 6,080 runs scored in 91 Test matches played for the country.  

One might wonder if these statistics by a five-feet-two yesteryear cricketer significant enough to warrant attention? Among many, there are two stellar reasons for him to be counted amidst all time great cricketers. In an era when a draw was considered as good as a victory, India never lost a cricket Test match in which Vishwanath had scored a century. And, one of his 14 Test centuries had contributed to then highest successful second-innings chase in cricket history against mighty West Indies at the Port of Spain in 1976. All this contributed to subtle change in mindset: the Indian cricket team was no longer talking about not losing but had actually started discussing winning. Vishwanath’s wristy square cut had contributed significantly to this strategic shift. By the time he retired in 1982, India had become a cricketing force to reckon with.    

Co-written with veteran sports journalist R Kaushik, Wrist Assured takes the reader on a nostalgic journey to the formative years of Indian cricket that contributed to the making of the little genius as one of the most adored and respected cricketer. For better part of his 13 years in Test cricket, Vishwanath was second only to Sunil Gavaskar in importance for the team. Many of his knocks had no parallel - such as the 97 he made out of India’s 190 against West Indies at Madras in 1975, the 114 out of the team’s 237 at Melbourne against Australia in 1981, the unbeaten 112 against West Indies in Port of Spain in 1976. These scores earned India precious wins, but many of his 35 half-centuries were game-saving scores no less. 

Vishwanath was an instinctive player, mindful of situations and conditions to unleash his natural talent. ‘What is the point of playing, if you are not better today than you were yesterday?’ A dreaded zero on his debut became a life’s lesson in cricket, reason enough for Vishwanath to play with such caution that he had only 10 zeroes in 155 Test innings. There is no shame for a batsman in getting zero, provided one knows why you got it and how to avoid its recurrence. Wrist Assured is a brutally honest self-assessment of his cricketing career and an appreciative inquiry on the contribution by contemporary cricketers in the making of the little genius. 

The wristy square cut may have fascinated viewers across the world but it was a stroke born out of necessity. How else would have a little thin boy made the ball to reach the boundary? Earlier in his career, Vishwanath had realized that by using the pace of the ball the square cut had the greater potential to cross the boundary than any other stroke. Over the years, such was the technical finesse to his signature stroke that opponent captains would station extra fielders to check the stroke. Ideal for his back-footed horizontal-blade square cuts, Vishwanath always used a light weight super-short handle bat for executing the square cut and the hook. How he developed the steely wrists to execute a perfect square cut is interesting to read.

Vishwanath must have maintained a meticulous journal on his cricketing escapades for co-writer Kaushik to generate perfect linguistic expressions to his feelings and reflections. Wrist Assured takes the reader back in time to those cricketing years when ball-by-ball commentary was the only means for cricket lovers to create visuals of the playing arena. Vishwanath helps the reader relive those momentous innings through his eyes, nothing more exquisite than the batsman sharing the twists and travails of facing some of the fastest bowlers in the game. To hold onto one’s nerves at the sight of blood on the pitch demands courage to back oneself up amidst the entire opposing team gunning for your wicket. 

In his post-cricketing years, Vishwanath chaired the national selection committee, was appointed an ICC match referee, and offered expert advice as a television commentator. In his multi-faceted roles in the world of cricket, Vishwanath comes out as a modest and self-effacing person. ‘Cricket’s life lessons have made me the person I am’, he concludes. 

Wrist Assured: An Autobiography
by Gundappa Vishwanath with R Kaushik 
Rupa, New Delhi. 
Extent: 267. Price: Rs, 595.

First published in the Hindustan Times on May 14, 2022. 

Symphony of rhythm and melody

There is declining audience patience, and heightened degeneration in aesthetic sense of poetry, diction and music.

A heady combination of unique synergy and unmatched individual brilliance made the music composed by the incredible duo of Laxmikant and Pyarelal resonate beyond their active life as film musicians. Nicknamed LP, they became the L-ongest P-laying uncrowned monarchs of film music, composing 2,900 songs for 750 films in a career spanning three decades until 1993. Entertainment journalist Rajiv Vijayakar has drawn their biographical sketches, their eventful coming together, and their journey of unmatched popularity in Music by Laxmikant Pyarelal. LP indeed created a popular symphony with a classic touch.  

With an extraordinary mix of lyrics, melody and rhythm, LP created larger than life music. Such was their musical appeal that people in theatres would express their appreciation by throwing coins at the screen. Dafliwale dafli baja composition from film Sargam was so popular for its musical score and cinematic rendition that an unbelievable one crore rupees in coins were collected from movie halls in 1979. It was their bond of friendship, and the understanding of music that was nothing short of miraculous in delivering an incredible saga of unequalled success.  

In their formative years, both have had the opportunity of assisting legendary film musicians like C Ramachandra, Shankar-Jaikishan and Kalyanji-Anandji. However, to survive in a highly competitive world of film music, the duo continued experimenting with both musical notes and singers to create a distinct niche both among producers and listeners. What clicked for them was their mastering the art of being slaves to a cinematic situation, and the screen characters. Such has been their oeuvre that soundtrack after soundtrack are worth keeping for posterity. 

In such times when there is declining audience patience, and heightened degeneration in aesthetic sense of poetry, diction and music, encapsulating the life and music of past masters is a tribute to their virtuosity and versatility. Seemingly in awe of LP, Vijayakar has brought to light the extraordinary caliber of the duo in enriching listener’s life with musical and lyrical content. Each musical creation holds a story in itself, which is what makes the book interesting and engaging. That they flew to London in mid-1960’s to get a feel of the city for composing Nazar Na Lag Jaye for the film Night in London is one among several interesting stories captured in the book.    

If the number of chartbusting melodies were any indication, LP were musically cut above the illustrious luminaries of their time. However, in no way should it be inferred that stalwarts including Shankar-Jaikishan, S D Burman, O P Nayyar, Madan Mohan, Usha Khanna, Rajesh Roshan and R D Burman were less innovative? In effect, the duo did admit that they not only learnt music from them but also what not to do as musicians. This had helped LP in contributing their share of music to the combined contribution of others in making 1960s through 90’s the glorious period of film music. Indeed, that remains a period of musical splendor.  

Music by Laxmikant Pyarelal offers glowing tributes to the incredible duo, with contributions from singers, lyricists, actors, filmmakers and musicians. While Lata Mangeshkar, Mohammed Rafi and Kishore Kumar were their favorites, in all some 105 male and 72 male voices got their career breakthroughs as singers at the recording studios of Laxmikant Pyarelal. They had earned deepest admiration by all those who worked with them. LP music was as concerned with virtuosity, as aware of feelings and stories. Their musical discoveries underpin the creation and comprehension of music that were unknown to many others.    

Vijayakar captures everything a music lover would like to know about the incredible Laxmikant Pyarelal., their incomparable musical range of unmatched quality. However, a separate section on how some of the chartbusters were composed would have added value to their genius. Given that we have only two eardrums and two ears, how indeed many appealing sounds get created remains intriguing. Laxmikant has long departed by Pyarelal is still devoted to music. Being the only Indian composer to have a symphony ‘Om Shivam in A-Minor’ registered in his name, Pyarelal has ensured that their musical legacy lives on.

Music by Laxmikant Pyarelal 
by Rajiv Vijayakar
Rupa, New Delhi 
Extent: 312, Price: Rs. 599.

First published in the Hindustan Times on April 28, 2022.